Disclaimer: This page discusses one view of Thay, an infamously evil, slave-keeping, magocratic country in the Forgotten Realms. This vision is offered for entertainment purposes for adults only. I do not condone anything described; quite the opposite. Please read with discretion, and feel free to stop anytime. Before you use any ideas herein, please gain your group's full consent to engage the material.
My group played in the Forgotten Realms (3X edition, with a lot of house rules) and there are a number of options for evil campaigns in Faerun. The first that came to mind was the drow, but I quickly decided against it, even though I wanted to run an evil game. I nearly started a drow-based campaign a couple years ago and my group has been itching for it ever since, but I haven't been in tune with it. I also think we could all use some practice playing with evil, since we tend to play good or at the very least neutral characters. I decided to stick to the surface, and one place stuck out: Thay, the only nation on the face of Faerun that is identified as evil. There are evil cities like Luskan, and evil groups like the Zhents, but Thay's size, population, and boundaries outstrip the rest.
After raiding my books for published information about Thay, I quickly discovered that it would suit my aims. Thay is known for Lawful Evil and Neutral Evil, which was what I had in mind. I wanted to encourage Lawful and Neutral characters without forbidding Chaotic ones. I also wanted a cruel nation with cruel laws, but laws nonetheless, as well as social codes and castes. I had a twisted version of Rome in mind, a powerful nation with reasons to be proud. Thay fit the bill. Although Thay is famous for its trade in cheaper magical items, it's also infamous for its trade in slaves, and I thought my players might like to play slavers for once. They'd liberated many slaves in our former games; it would be different to own them, and I had a feeling that they'd be interested in trading them.
Location and related information can help you start drawing up some boundaries for character creation and the setting in general. As I went through my books, I set up an information page to help refine my vision of Thay and to help my players figure out their options. (When I first pitched the idea of a game set in Thay, I could tell that they weren't sure where to start, since they knew so little about it.) I let my group know that I had a new deity for anyone who wanted to play a cleric, and a new version of the Red Wizard prestige class. I was interested in giving the players some more power from the start, so I told them I was interested in a nobles game. We had only played nobles once, briefly; I figured it would be a nice change of pace. They were on board with that, and with starting at fifth level, right before many prestige classes become available.
When I start a game, I like to make sure the characters have some way of knowing each other and some reason to work together. They can be anything from acquaintances to family, and I encourage them to figure it out amongst themselves. That way, when the adventure starts, they're not complete strangers and they're less likely to be at each other's throats more than the enemy's. It seemed to me that such an opening could be even more advantageous in an evil campaign. Trust and instant camaraderie tend to be in shorter supply in evil games and a solid connection can keep even thieving, murdering bastards together. I wanted to consolidate our focus, so I asked them all to be a part of one noble house, preferably members of the family rather than servants or hangers-on. Two of them swiftly decided to be brothers, a big departure from the norm, and the third said she'd be their cousin.
The family, then, became the base for the game, so I got the group involved in furnishing it. I asked them if they saw their characters with parents and siblings. They all wanted younger sisters and were fine with living parents. After some consulting with a DM who had also played in my games, I took his suggestion about marriage for nobles: Thayan nobles must be married and produce one heir by the age of 35. If they don't choose for themselves, then the family will intervene to ensure their lineage. I gave the players this information and they set the age of their characters accordingly. I did not encourage them to go ultra young, since whelps have little influence in Thay, but they knew the pressure would be on if their characters were close to their mid-30s. They chose to be 28, 27, and 25, respectively.
About that time, I pored over the noble houses of Waterdeep, which are outlined in a web enhancement for the City of Splendors book. I sketched out a list of the 90 noble houses spread throughout Thay, according to their major areas of interest. I then asked my players to take a look at it and let me know what they thought, and to figure out what their house's interest(s) would be. Between the three of them, they decided on slaving and the training of courtesans for sale. A little after that, I drew up a name list for Thay and together they agreed on House Valgon. One PC aimed at being a Red Wizard and another wanted to be the muscle. My lone female player decided to take me up on my deity and made a cleric. She quickly came to me with ideas about her character's goals in the family and details about her quarters. I then drew up a family tree for their branches, comprised of the NPCs they would be living with and/or hearing about.
One thing I like to do when starting a new campaign is have a prelude session, touching on key scenes from their past and giving them a chance to experience their characters a bit. I got this tradition from White Wolf's World of Darkness games, and since I had run WoD for my players previously (and preludes), they were just fine with a prelude session. I got to introduce a few family members who would be dead by the time the official game started, as well as some of the family trauma (such as the brothers mother trying to run away and being hunted by their father, with the PCs as young boys in tow). I was able to establish "Uncle" Boris as the family patriarch and how harsh of a person he tends to be. Even though two of the original players stopped gaming with us, my female player has told new players about the prelude and all of the PCs make reference to it years later.
These early decisions set the tone for the game, and another DM might have drastically different goals and a group with very different desires. Your mileage will vary. We had our own issues later on, particularly when the wizard became a Red Wizard. Although I should have foreseen problems, I didn't realize how much and how quickly the power dynamics of the group would change by having a Red Wizard in the party. The player of the wizard's brother reacted poorly to it and ended up retiring his character by having him flee the country. He came back with a rogue and started scheming behind the scenes, and I really should have come up with more thieves guild business for him. The Red Wizard was phased out when that player left for good (due to OCC issues), and after that, I decided to leave that prestige class as NPC-only.
The game died out for a while, but then my then-boyfriend (now husband) and a friend wanted to try it out. Rather than starting them in Eltabbar as part of the same branch of the family, I set them up in Tyraturos, as other members of House Valgon. This gave me the chance to develop a very different branch of the family, as well as a city with a drastically different feel than Eltabbar. They didn't know how Eltabbar had been, but I did. They decided to play twin tiefling brothers and I teamed them up with an NPC cleric sister, and their adventures were fun. One of the brothers, the rogue, worked well with how things were in Thay; the other, the fighter, ended up dissatisfied. We played for a while, and then it seemed like the main campaign could be resurrected with my original female player and our boyfriends. Her boyfriend created a blackguard character from Tyraturos, and I moved him and the rogue to Eltabbar.
Along with many cast changes, the game began to seriously develop in scope. I ended up with hundreds of NPCs in my lists from the various games. I also began to develop more of the setting as they traveled, since so many places didn't have much to work with in the original materials and/or didn't suit my vision of Thay. All of the player characters took Leadership, which started out as a homebrew and then updated when I created Cult Leadership for Drow of Porphyra: Xelusine. The new system was not nearly as heavy on the bookkeeping as the old one, thankfully. I also used the 3.5 system for running businesses, since all of the PCs wanted them and set their followers to work in them. And eventually, our old homebrew of 3.5 got cumbersome and we updated everybody to Pathfinder (1st edition).
But the setup came together well enough that we keep returning to the game and it's gone on for years. The groundwork remains visible and helps to form a foundation that keeps the setting consistent, no matter how much else changes. And that is what a solid setup is meant to do for any campaign.
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